“Never predict the end of the world. You’re almost certain to be wrong, and if you’re right, no one will be around to congratulate you.”

On the podcast 10 Things That Scare Me, I’d listed near the top, “a global disease pandemic that will result in the breakdown of human norms.” Years earlier, in a video about world history, I’d speculated about what might happen “if some superbug shows up tomorrow and it travels all these global trade routes.”
In 2019, I’d said on a podcast, “We all must prepare ourselves for the global pandemic we all know is coming.” And yet, I did nothing to prepare. The future, even in its inevitabilities, always feels vague and nebulous to me—until it doesn’t.

I know the world will survive us—and in some ways it will be more alive. More birdsong. More creatures roaming around. More plants cracking through our pavement, rewilding the planet we terraformed. I imagine coyotes sleeping in the ruins of the homes we built. I imagine our plastic still washing up on beaches hundreds of years after the last of us is gone. I imagine moths, having no artificial lights toward which to fly, turning back to the moon. There is some comfort for me in knowing that life will go on even when we don’t. But I would argue that when our light goes out, it will be Earth’s greatest tragedy, because while I know humans are prone to grandiosity, I also think we are by far the most interesting thing that ever happened on Earth. It’s easy to forget how wondrous humans are, how strange and lovely. Through photography and art, each of us has seen things we’ll never see—the surface of Mars, the bioluminescent fish of the deep ocean, a seventeenth-century girl with a pearl earring. Through empathy, we’ve felt things we might never have otherwise felt. Through the rich world of imagination, we’ve seen apocalypses large and small. We’re the only part of the known universe that knows it’s in a universe. We know we are circling a star that will one day engulf us.

Aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.

The word news tells a secret on itself, though: What’s news isn’t primarily what is noteworthy or important, but what is new. So much of what actually changes in human life isn’t driven by events, but instead by processes, which often aren’t considered news. We don’t see much about climate change on CNN, unless a new report is published, nor do we see regular coverage of other ongoing crises, like child mortality or poverty

Looking up toward the looming mountain ranges in the distance, I was reminded of what nature is always telling me: Humans are not the protagonists of this planet’s story. If there is a main character, it is life itself, which makes of earth and starlight something more than earth and starlight. But in the age of the Anthropocene, humans tend to believe, despite all available evidence, that the world is here for our benefit.

I don’t believe we have a choice when it comes to whether we endow the world with meaning. We are all little fairies, sprinkling meaning dust everywhere we go. This mountain will mean God, and that precipitation will mean trouble. The vacuum of space will mean emptiness, and the groundhog will mean nature’s scorn for human absurdity. We will build meaning wherever we go, with whatever we come across. But to me, while making meaning isn’t a choice, the kind of meaning can be.